Workshops for Comprehensive Musicianship Announced 2017 Programs
2016/12/21 | コメント(0)
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"The Workshops for Comprehensive Musicianship" announced the program for the year 2017-2018. This workshop was launched in 2010, inviting lecturers with diverse backgrounds. This year will also see a variety of lecturers like pianist, composer, conductor, singer, music scholar, journalist, etc. One of the characteristics of the workshop is active-learning style. In the past 7 years, participants experienced conducting, singing, musical analysis, editing scores, etc. In addition, there are some new services available this year. In each lecture, facilitators will ask questions to the lecturers that would enhance learning and understanding. Online participants will be able to join the Q&A sessions through the livestreaming. And after the 3rd and 10th lectures, active participants will be able to join lunch parties. Here is the program for the year 2017-2018;
(1) 4/20 "The Sorrow of Schubert - Explore the Source of His Creativity" (Akira Imai / pianist)
(2) 5/17 "Enjoy the Competition's Solo Repertoires by Arrangement for Piano and Violin" (Naoto Omasa / Composer)
(3) 6/21 "What I Have Gained and Lost by Becoming a Pianist " (Noriko Ogawa / pianist)
(4) 7/19 "To Analyze and Interpret Piano Concerto Scores (Daigo Shimizu / Conductor)
(5) 9/6 "The Gap between Western and Eastern Mentalities - How Have Japanese Studied Western Music" (Teruhiko Komori / Kammersänger, baritone)
(6) 10/4 "To Interpret '30 Etudes de Mécanisme' by Czerny - Through the Development Process of Etudes" (Yasushi Ueda / Music Scholar)
(7) 11/22 "To Master the Ensemble Performance" (Akira Wakabayashi, pianist & Rieko Suzuki, violinist)
(8) 12/13 "How Do the Music Nurture Personality? - Rediscover the Meaning of Music" (Eriko Sugano/ Music journalist)
(9) 2/14 "The Contemporary Gagaku" (Mayumi Miyata / Sho player)
(10) 3/15 "How to Read Scores, How to Interpret Music? - Study with Own Etudes" (Tokuhide Niimi / composer)
(2) 5/17 "Enjoy the Competition's Solo Repertoires by Arrangement for Piano and Violin" (Naoto Omasa / Composer)
(3) 6/21 "What I Have Gained and Lost by Becoming a Pianist " (Noriko Ogawa / pianist)
(4) 7/19 "To Analyze and Interpret Piano Concerto Scores (Daigo Shimizu / Conductor)
(5) 9/6 "The Gap between Western and Eastern Mentalities - How Have Japanese Studied Western Music" (Teruhiko Komori / Kammersänger, baritone)
(6) 10/4 "To Interpret '30 Etudes de Mécanisme' by Czerny - Through the Development Process of Etudes" (Yasushi Ueda / Music Scholar)
(7) 11/22 "To Master the Ensemble Performance" (Akira Wakabayashi, pianist & Rieko Suzuki, violinist)
(8) 12/13 "How Do the Music Nurture Personality? - Rediscover the Meaning of Music" (Eriko Sugano/ Music journalist)
(9) 2/14 "The Contemporary Gagaku" (Mayumi Miyata / Sho player)
(10) 3/15 "How to Read Scores, How to Interpret Music? - Study with Own Etudes" (Tokuhide Niimi / composer)
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